Giant Size Review # 2: The State of the X-Men ("Amazing X-Men," "No More Humans," and more)

Another Giant Size review! This time, the central topic is the current state of the X-Men where the question of the day is: Why does Brian Michael Bendis have to be in charge? Come to think of it: who is in charge at all?

Review # 79: "X-Men - Second Coming" (and "Second Coming: Revelations")

"Second Coming" is a landmark event for the X-Men, wrapping up the Hope Trilogy with the greatest threat mutantkind has faced as a species: complete annihilation. They have saved the world before, they've faced monstrous fellow mutant supervillains with grand designs that would leave bodies in their wake. They have not, however, faced a hate crime so massive that it threatens to kill them all.

Review # 74: "Necrosha"

"Necrosha" is an underrated story that is a victim of bad timing. Resurrected by former Hellfire Club Black Queen Selene using a corrupting techno-organing virus, friend and foe alike are brought back from beyond the grave to attack the X-Men on Utopia. Selene, meanwhile, readies to feed on the souls of millions of dead mutants massacred on the island nation of Genosha years prior, which would transform her into a God. It's a violent, vile, gripping tale with two very well done parallel stories and a complex backdrop that touches on decades worth of material.

Review # 60: "X-Men Legacy - 'Divided He Stands' and "Sins of the Father'"

Spread across multiple series, the "Divided We Stand" event saw members of the X-Men find themselves. No one had more of themselves to find than Charles Xavier. Shot in the head to conclude the events of "Messiah Complex," Professor X's body was abducted (thanks to Tempo) by the Acolytes. Under the watch of former lover Amelia Voght, first-class asshole Frenzy and New Excalibur tag-along Omega Sentinel, 90s overkill character Exodus attempts to repair what remains of Charles' fractured mind. Things aren't going well until the at-the-time powerless Magneto appears at Xavier's bedside, psychically drawing his old friend and rival out of his coma.

Review # 58: "X-Men - Messiah Complex"

After what seemed like an endless wave in the 90s, massive crossovers had fallen out of favour at Marvel. They'd become bloated, overly contrived and generally a pain in the ass for collectors. They just plain needed to go away for a while. So they did. The X-Men franchise, which had been the centrepoint for most company crossovers, abandoned the concept for close to a decade. Series like Grant Morrison's "New X-Men," "X-Force/X-Statix," Joss Whedon's "Astonishing X-Men" and Peter David's "X-Factor" stuck to their own stories, and the line enjoyed a creative renaissance.

Review # 57: "X-Men - Endangered Species"

When it comes to superhero concepts, the X-Man Beast has to be among the best. Introduced as a young strongman bloke in the very first X-Men issue in 1963, Stan Lee had the brilliant idea of making Hank McCoy, well... brilliant. The intelligence he began to display in X-Men #3 set him apart from the likes of the Thing and years later, when Gerry Conway (inspired by Roy Thomas) turned Beast into a grotesque, fur-covered, gorilla-like creature it made the contrast that much better. Hank became a walking representation of how you can't judge anyone by not only their appearance, but in this case their mutation. Beast is a symbol for the entire series.