Review # 184: "X-Men - Operation Zero Tolerance"

"Operation Zero Tolerance" is the practical endpoint for the X-Men under Scott Lobdell. While he lingers for another few issues, this is the last major story of his seven years on the title, not counting a brief return at the start of the millennium. As far as swan songs go, it's not bad. But it's not great either.

Review # 179: "Age of Apocalypse"

I think what I like the most about "Age of Apocalypse" is its organization. Melding so many titles together into one story is difficult at the best of times, let alone one in which you've just created an entirely new universe where the patriarch of the X-Men was killed before the team could be formed. Each series can be divided into one of two categories: it either furthers the plot of restoring shattered history, or explores the crises this world is facing.

Review # 23: "Generation X Classic Volume One" and "The Origin of Generation X: Tales of the Phalanx Covenant"

This double-shot is due to my completionist side getting the best of me. Originally purchasing "Generation X Classic" expecting it to collect the entirety of the Phalanx Covenant, it only covered the new team of teens' side of the story, leaving several gaps. "The Origin of Generation X: Tales of the Phalanx Covenant" fills those gaps, but omits a transition issue and Gen X numbers two through four.

Review # 17: "X-Men: Fatal Attractions"

The X-Men of the Bob Harras/Scott Lobdell/Fabien Nicieza era can be best summed up in two words: "violent arguments." And I'm not talking about two people sitting across from the table furiously unleashing verbal barrages or each other. I'm talking about what 90s post-Chris Claremont X-Men comics had instead of fights. For every punch thrown, every claw snikt'd and every eye beam zakt'd there would be sentences upon sentences of philosophical posturing. While it's true that often there's too much conversation going on during superhero battles, under Harras' watch as editor (or "dictator" as implied by Claremont who quit over creative disputes,) the X-Men and their villains took it to another level.