Review # 179: "Age of Apocalypse"

I think what I like the most about "Age of Apocalypse" is its organization. Melding so many titles together into one story is difficult at the best of times, let alone one in which you've just created an entirely new universe where the patriarch of the X-Men was killed before the team could be formed. Each series can be divided into one of two categories: it either furthers the plot of restoring shattered history, or explores the crises this world is facing.

Review # 178: "Age of Apocalypse Prelude"

I feel pretty comfortable calling "Age of Apocalypse" the best comic book crossover of the 90's, for whatever that's worth. For my money it is the only "X-Men" story arc from the Nicieza-Harras-Lobdell trinity that stacks up with anything that came before or has come since. It was a project birthed from wild ambition, sequenced perfectly and executed soundly. All to examine what the world of the X-Men would be like if Charles Xavier had not been around to form them.

Ah, but in the lead-in lies a flaw.

Review # 166: "X-Force/Spider-Man - Sabotage"

The X-Force/Spider-Man crossover "Sabotage" has a special place in my collection. I feel it is my duty to preserve it for future generations so they can see everything that was wrong with comics in the early 90's.

Giant Size Review # 4: 90s X-Men ("Bishop's Crossing," "X-Cutioner's Song" and more)

I've gone on record before about how I'm not the biggest fan in the world of the writing during the Nicieza-Harras-Lobdell (NHL) era of the X-Men. While they had their flashes of brilliance, most of their work is far too wordy, is shallow (disguised as deep) and compromises a lot of the action on-page.

Review # 103: "X-Men - Road to Onslaught Vol. 1"

A funny thing happened to the Lobdell/Nicieza/Harras-era X-Men franchise in the mid-90s: it got pretty darn good. While I personally find "The Age of Apocalypse" to be overrated, it's still excellent and I would argue as a counter that what immediately preceded and followed it was underrated as a whole.

Review # 89: "X-Men - A Skinning of Souls"

Partially out of completion, partially out of nostalgia and partially out of sadism, here I go again with some more 90s X-Men work from the Harras/Lobdell/Nicieza trio. Major credit to Marvel for continuing to fill the gaps between major events. This collects what happened in the pages of "X-Men" between what's been released in "X-Cutioner's Song" and "Fatal Attractions."

Review # 17: "X-Men: Fatal Attractions"

The X-Men of the Bob Harras/Scott Lobdell/Fabien Nicieza era can be best summed up in two words: "violent arguments." And I'm not talking about two people sitting across from the table furiously unleashing verbal barrages or each other. I'm talking about what 90s post-Chris Claremont X-Men comics had instead of fights. For every punch thrown, every claw snikt'd and every eye beam zakt'd there would be sentences upon sentences of philosophical posturing. While it's true that often there's too much conversation going on during superhero battles, under Harras' watch as editor (or "dictator" as implied by Claremont who quit over creative disputes,) the X-Men and their villains took it to another level.