Review # 93: "X-Factor - 'The End of X-Factor'"

Despite its relaunch with a new cast as part of "All-New Marvel NOW," I'm sad to see "X-Factor" go. For a series that featured superpowered mutants, cross-dimensional action stars, demonic battles, time travel, Irish mythology, Norse mythology and a space troll, this has such a human feel to it. From start to finish, "X-Factor" has been episodic storytelling at its finest and its high level of consistency is an amazing feat.

Review # 87: "X-Factor - 'Short Stories' and 'Hell On Earth War'"

I was overjoyed to learn a few months ago that Peter David's exploits with X-Factor would continue in a new form starting next year with a nearly brand-new cast. Polaris is set to be involved along with the return of Quicksilver... and the surprising inclusion of Gambit! I am incredibly curious to see David's spin on the popular-yet-poor (in my opinion) character. He could do some great things with Remy.

Review # 58: "X-Men - Messiah Complex"

After what seemed like an endless wave in the 90s, massive crossovers had fallen out of favour at Marvel. They'd become bloated, overly contrived and generally a pain in the ass for collectors. They just plain needed to go away for a while. So they did. The X-Men franchise, which had been the centrepoint for most company crossovers, abandoned the concept for close to a decade. Series like Grant Morrison's "New X-Men," "X-Force/X-Statix," Joss Whedon's "Astonishing X-Men" and Peter David's "X-Factor" stuck to their own stories, and the line enjoyed a creative renaissance.

Review # 55: "House of M"

A lot of people hate "House of M." It was a status quo shift that people were uncomfortable with and - unlike many other event comics - it stuck for a long time. The repercussions were felt for eight whole years and you could argue they still are.

Review # 54: "X-Factor - 'The Road to Redemption' and 'Breaking Points'"

I almost find it hard to believe that - after these sets - there are only three volumes of Peter David's "X-Factor" left to go. In that sense, there's a bit of a feeling that things are being rushed. However, it would be more fair to suggest they're "chaotic." After all, the "Hell on Earth War" is on the horizon. "The Road to Redemption" feels like the setup to the setup.

Review # 39: "X-Factor - 'They Keep Killing Jamie Madrox' and 'Together Again For The First Time'"

When we last left X-Factor, it appeared Jamie Madrox had been killed. Again. Jamie's death has been a red herring several times, turning out to be a dupe or something or other. This time it's different: he's not dead - he's "just" hopping from reality to reality. While this is not completely explained, it appears that if Jamie dies in an alternate timeline at the exact same moment, he ends up getting ripped into that dimension. How? Well, the trade IS called "They Keep Killing Jamie Madrox." The first universe isn't all that bad. Well, if you don't count Jamie and Layla being mauled to death on their wedding night. From there, Madrox is ripped into several more universes including one where Marvel's "Civil War" escalated to disastrous proportions and another where hell has been unleashed on earth.

(Foreshadowing)

Review # 38: "X-Factor - 'Hard Labor' and 'Super Unnatural'"

Wandering through the pits of Hel? Meeting up with the Whore of Babylon? Bah. That's a cakewalk compared to "Hard Labor," possibly the high mark for the "Adult Layla" era of X-Factor.

Review # 37: "X-Factor - 'Happenings in Vegas' and 'Scar Tissue'"

About half-way through Peter David's run on "X-Factor" and we are already building towards the finale. Now THAT is episodic writing.

Review # 30: "X-Factor - 'Invisible Woman Has Vanished' and 'Second Coming'"

Revisiting these books after hitting such a high point with "Time and a Half" and "Overtime," I was expecting a lull. I'd forgotten how good these are, completely underestimating Peter David's ability to throw in great twists. I should know better.

Review # 28: "X-Factor - 'Time and a Half' and 'Overtime'"

These two volumes represent a major turning point for the X-Factor series as its scope becomes far more ambitious. The plots become bigger (and surprisingly more mystical,) notable relationships develop while others fall apart and character conflict goes into overdrive. Thankfully, Larry Stroman is gone and Valentine De Landro - X-Factor's first definitive artist - is back for what I consider a masterpiece.

Review # 26: "X-Factor - 'The Many Lives of Madrox' and 'Heart of Ice'"

As is the norm for Peter David's run on X-Factor, any time there's a major resolution to anything, there are a lot of plot threads still hanging and a number of unanswered questions. Example: after X-Factor destroyed rival (and sinister) Singularity Investigations, Madrox is forced to do some soul searching and tell Monet and Siryn about their simultaneous "special night" without getting killed (figuratively.) Meanwhile, Rahne is suffering from a crisis of faith, Guido is disturbed over his role as a Manchurian candidate, Rictor continues to have interpersonal problems and the very unstable Quicksilver is still in Mutant Town.

Review # 25: "X-Factor - 'The Longest Night' and 'Life and Death Matters'"

Comic fans were stunned this year to learn that writer Peter David had suffered a stroke. While he has been on the road to recovery, it was a stark reminder that all good things come to an end. With that in mind, there was an air of preparedness when it was announced that the series he's been most associated with this century would be wrapping up: his noir-inspired version of a relaunched X-Factor.