Review # 186: "X-Men - The Twelve"

With the X-Men franchise sagging, "The Twelve" is like a Hail Mary pass. It's presented as the be all/end all story for the villain Apocalypse. Unfortunately, the Hail Mary plunks on the 12 yard line with everyone waiting in the endzone.

Review # 185: "X-Men - The Shattering"

Marvel made what SHOULD have been a good decision when it put Alan Davis in charge of the X-Men in the late 90s. With his quality work on "Excalibur," strong knowledge and dazzling art, along with the company's similar hiring philosophy propelling the "Avengers" to its all-time best run under Kurt Busiek and George Perez, this move should have turned the company's flagship franchise around. Unfortunately, things don't always work out that way as Davis offered up what is arguably the most disappointing story in X-Men history. "The Shattering" is NOT that story, but it sets it up.

Giant Size Review # 5: X-Men by Bendis

Brian Michael Bendis' X-Men run is starting to show promise on the other side of "Battle of the Atom." Moving the All-New X-Men to the Cyclops camp allows the time-displaced original team to confront some of its issues without ongoing distractions, while Scott's newly-discovered charges are beginning to come into their own as characters. But there are still some bumps in the road, including one of the most befuddling crossovers in recent memory.

Review # 168: "X-Men - Inferno Prologue"

Interesting technique being employed by Marvel with this omnibus, as "X-Men: Inferno Prologue" collects all material from "Uncanny X-Men," "New Mutants" and "X-Factor" between the crossovers "Fall of the Mutants" and "Inferno." If this is their model going forward - collecting the "big three" of the 80s in single collections - then I am all for it. Better to keep all of the setpieces in one place, even if it does create some unevenness in terms of quality.

Review # 165: "X-Men Vignettes"

Nothing beats finding rare collections at a comic convention. My latest trip from my favourite shelves at Ottawa Comiccon turned up two pieces of pure gold for an X-Men superfan like me: volumes one and two of "X-Men Vignettes."

Review # 159: "X-Men - Dream's End"

The "X-Men" franchise was in a bad way at around the turn of the century. Bloated with content over the course of the 90's, the bottom had fallen out a few years earlier. Alan Davis couldn't save it, not even with the culmination of the Apocalypse "Twelve" story. So Marvel turned to the man who defined the title, Chris Claremont, bringing him back after creative differences drove him away about ten years prior.

And it didn't work.

Review # 150: "X-Men by Chris Claremont and Jim Lee Omnibus Vol. 2"

The second "X-Men by Chris Claremont and Jim Lee" omnibus is a piece of history as it redefines the series and sets it on the path to its greatest era of commercial success. Most of what happens here is an extended, gradual reset as Professor X, Cyclops, Jean Grey, Beast, Iceman and Archangel are brought back into the fold and the team returns to the X-Mansion.

Review # 145: "X-Men - X-Tinction Agenda"

Welcome to the 90s, X-Men.

Review # 137: "Magik: Storm and Illyana"

This will be fun. My favourite comic writer of all time teamed up with a penciller and inker who I recently panned.

Review # 135: "X-Men: Fall of the Mutants"

Regarded as the second major X-Men crossover, "Fall of the Mutants" takes a much better approach for its titles at the time than what had been done in its predecessor "Mutant Massacre." In essence, it's not a crossover at all - each series was slated to go through a significant change at exactly the same time under the same banner headline. This allowed the creators to do whatever they wanted and fail or succeed on their own merits.

Review # 132: "X-Men: Mutant Massacre"

"Mutant Massacre" made X-Men history by being the first crossover between three X-family titles and is regarded by many as one of the greatest X-Men stories of all time. But while it has its share of memorable moments, I really can't say I agree.

Review # 130: "X-Men - Days of Future Past"

"Days of Future Past" is one of the greatest X-Men stories ever. The concept of a time-traveler from a bleak future venturing to the past was a fresh idea at the time, as beaten into the ground as it's become now. Still, there's a reason why pop culture keeps going back to it: when done correctly, it works. Look no further than the X-Men film based on this very title.

Review # 129: "Uncanny X-Men Omnibus Vol. 2"

On the one hand, the second "Uncanny X-Men" omnibus by Chris Claremont, John Byrne and Dave Cockrum isn't as fascinating as the first one.

Review # 128: "The Dark Phoenix Saga"

This is a write-up I have been looking forward to since I started this blog. With no reservations I can tell you that "The Dark Phoenix Saga" is my favourite comic book story of all time, one of my favourite stories of all time and my pick as the greatest in the history of its medium.

Review # 76: "X-Men by Chris Claremont and Jim Lee Omnibus Vol. 1"

Even though I've gone through all the issues included here before, there's a bit of culture shock as the last Chris Claremont X-Men work I'd read was the omnibus collecting the start of his run up until the beginning of "The Dark Phoenix Saga." We're talking about a ten year gap and a definite shift in style as the X-Men storylines are darker and a lot more cruel to the characters. This is coming in at a key moment, as - after "Inferno" wrapped up years worth of stories in a single swoop - Claremont is spinning a trademark, complex web of narratives for the last time before his exit from the franchise he defined.

Review # 67: "Uncanny X-Men Omnibus Vol. 1"

The re-launch of X-Men that began with "Giant Size X-Men # 1" is unlike anything else in comics. Under the pen of Chris Claremont, it revolutionized storytelling within the medium creating unrivaled, long-term, interwoven plots the likes of which had never been seen. He may not have created Cyclops, Jean Grey, Beast, Iceman and Angel. He may not have created Professor X and Magneto. He may not have created Wolverine, Storm, Nightcrawler and Colossus. However, Claremont is without a doubt the father of the X-Men. He was on the book for nearly two straight decades, defining an entire sector of the Marvel Universe. Many of his plots have been adapted into major feature films and animated TV series. Some multiple times. The imprint he has left on his craft is massive.