Review # 185: "X-Men - The Shattering"

Marvel made what SHOULD have been a good decision when it put Alan Davis in charge of the X-Men in the late 90s. With his quality work on "Excalibur," strong knowledge and dazzling art, along with the company's similar hiring philosophy propelling the "Avengers" to its all-time best run under Kurt Busiek and George Perez, this move should have turned the company's flagship franchise around. Unfortunately, things don't always work out that way as Davis offered up what is arguably the most disappointing story in X-Men history. "The Shattering" is NOT that story, but it sets it up.

Review # 169: "X-Factor Visionaries by Peter David"

You could make a case for Peter David's original time on "X-Factor" as the best X-family creative run of the entire 1990s. Its peaks likely weren't as high as the best the main "X-Men" line had to offer at points, but it makes up for it by being of consistent good quality.

Review # 147: "War of Kings"

"War of Kings" is a bit reminiscent of "Operation Galactic Storm" in that it's about a war between Marvel cosmic superpower races the Kree and the Shi'ar. However, there's a noted difference. While the classic Avengers tale was about manipulation and conquest, this piece written by Dan Abnett and Andy Lanning is more about ego. Ultimately, it's a clash between Inhuman King Black Bolt and Shi'ar Emperor Vulcan who who both appear willing to doom their species in the name of what they think is right. Neither man is.

Review # 135: "X-Men: Fall of the Mutants"

Regarded as the second major X-Men crossover, "Fall of the Mutants" takes a much better approach for its titles at the time than what had been done in its predecessor "Mutant Massacre." In essence, it's not a crossover at all - each series was slated to go through a significant change at exactly the same time under the same banner headline. This allowed the creators to do whatever they wanted and fail or succeed on their own merits.

Review # 109: "Marvel Masterworks - The X-Men Vol. 6"

Before Len Wein, Dave Cockrum and Chris Claremont came along the X-Men sucked. Flat out sucked. Issue after issue of one-note characters taking on terrible villains in forgettable stories. Given how memorable the work of Stan Lee and Jack Kirby was in the early 60s, it's stunning to find a book so empty outside of some very rare exceptions. As a result, I was 100 percent certain for years that I would never pick up another pre-"Giant Size X-Men" collection again. I wasn't interested in seeing more pale shadows of these characters that I love - Cyclops, Jean Grey, Iceman, Beast, Angel, Charles Xavier, Magneto, etc. - ever again.

Review # 93: "X-Factor - 'The End of X-Factor'"

Despite its relaunch with a new cast as part of "All-New Marvel NOW," I'm sad to see "X-Factor" go. For a series that featured superpowered mutants, cross-dimensional action stars, demonic battles, time travel, Irish mythology, Norse mythology and a space troll, this has such a human feel to it. From start to finish, "X-Factor" has been episodic storytelling at its finest and its high level of consistency is an amazing feat.

Review # 87: "X-Factor - 'Short Stories' and 'Hell On Earth War'"

I was overjoyed to learn a few months ago that Peter David's exploits with X-Factor would continue in a new form starting next year with a nearly brand-new cast. Polaris is set to be involved along with the return of Quicksilver... and the surprising inclusion of Gambit! I am incredibly curious to see David's spin on the popular-yet-poor (in my opinion) character. He could do some great things with Remy.

Review # 76: "X-Men by Chris Claremont and Jim Lee Omnibus Vol. 1"

Even though I've gone through all the issues included here before, there's a bit of culture shock as the last Chris Claremont X-Men work I'd read was the omnibus collecting the start of his run up until the beginning of "The Dark Phoenix Saga." We're talking about a ten year gap and a definite shift in style as the X-Men storylines are darker and a lot more cruel to the characters. This is coming in at a key moment, as - after "Inferno" wrapped up years worth of stories in a single swoop - Claremont is spinning a trademark, complex web of narratives for the last time before his exit from the franchise he defined.

Review # 54: "X-Factor - 'The Road to Redemption' and 'Breaking Points'"

I almost find it hard to believe that - after these sets - there are only three volumes of Peter David's "X-Factor" left to go. In that sense, there's a bit of a feeling that things are being rushed. However, it would be more fair to suggest they're "chaotic." After all, the "Hell on Earth War" is on the horizon. "The Road to Redemption" feels like the setup to the setup.

Review # 39: "X-Factor - 'They Keep Killing Jamie Madrox' and 'Together Again For The First Time'"

When we last left X-Factor, it appeared Jamie Madrox had been killed. Again. Jamie's death has been a red herring several times, turning out to be a dupe or something or other. This time it's different: he's not dead - he's "just" hopping from reality to reality. While this is not completely explained, it appears that if Jamie dies in an alternate timeline at the exact same moment, he ends up getting ripped into that dimension. How? Well, the trade IS called "They Keep Killing Jamie Madrox." The first universe isn't all that bad. Well, if you don't count Jamie and Layla being mauled to death on their wedding night. From there, Madrox is ripped into several more universes including one where Marvel's "Civil War" escalated to disastrous proportions and another where hell has been unleashed on earth.

(Foreshadowing)