Review # 178: "Age of Apocalypse Prelude"

I feel pretty comfortable calling "Age of Apocalypse" the best comic book crossover of the 90's, for whatever that's worth. For my money it is the only "X-Men" story arc from the Nicieza-Harras-Lobdell trinity that stacks up with anything that came before or has come since. It was a project birthed from wild ambition, sequenced perfectly and executed soundly. All to examine what the world of the X-Men would be like if Charles Xavier had not been around to form them.

Ah, but in the lead-in lies a flaw.

Review # 177: "The Trial of Captain America Omnibus"

Nearly every great comic book creative run has its low points. They may not necessarily be bad, but for every peak there must be a valley.

Review # 176: "New Avengers Omnibus - Vol. 1"

After a mediocre run by Geoff Johns, the usual crap from Chuck Austen, and Mark Millar's "The Ultimates" showing off how cool the Avengers could be, it was time for a change. Cue Brian Michael Bendis, who had been kicking ass on "Ultimate Spider-Man," "Daredevil" and "Alias." But could he handle a team book?

The answer - at the time - was an emphatic "yes."

Review # 175: "Avengers - 'Red Zone' and 'The Search For She-Hulk'"

Goeff Johns didn't get off to the greatest start during his time on "Avengers," with a bland, slightly confused title with no confidence in its direction. That changed during the second half.

Review # 174: "The Ultimates"

With over a decade behind it, you have to make the argument that "The Ultimates" by Mark Millar and Bryan Hitch is the most culturally significant comic book story so far this century. It reads like a movie blueprint, and - while its eventual adaptation for the big screen was not note-for-note - many of the Marvel heroes we see on the big screen today are influenced more by the incarnations seen here than the ones who had been around for decades previous.